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Both tracks shared so far by the group Ashnymph resist simple labeling: their personal label of the sound as “subconscioussion” doesn’t offer many clues. Their initial track Saltspreader married a pounding industrial rhythm – bandmember Will Wiffen has occasionally been spotted on stage sporting a shirt that bears the logo of Godflesh, icons of industrial metal – with old-school electronic keys and a guitar riff that vaguely recalls the Stooges’ garage rock perennial I Wanna Be Your Dog, before dissolving into a wall of disquieting noise. The planned result, the band has indicated, was to suggest road trips, “the ceaseless flow of vehicles all day long over huge distances … orange lights at night”.

Its follow-up, Mr Invisible, falls between club music and unconventional alternative rock. Firstly, the song's beat, layers of hypnotic electronics, and vocals that arrive either trippily blurred or spellbindingly cyclical in a way that brings back Underworld's Dubnobasswithmyheadman period all suggest the dance space. Conversely, its intense performance-style shifts, brink-of-disorder feel and overdrive – “getting that crisp distortion is a lifelong ambition,” Wiffen noted – mark it out as undeniably a band creation rather than a lone electronic artist. They've gigged around the independent music circuit in south London for a short time, “any spot with loud speakers”.

But the two tracks are vibrant and distinct – from one another and anything else around at the moment – to make you wonder about what Ashnymph might do next. Whatever it is, on the strength of these tracks, it’s unlikely to be boring.

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